Last year the Japanese visual artist Chiharu Shiota used the attention she was getting from an exhibition in Washington D.C. to make an announcement: she had been selected to represent Japan in this year’s Venice Biennial, but she needed help.
In her own words, she needed a “huge number of keys” and was looking for public donations. If anyone sent Shiota one of the 50,000 keys she managed to collect (we were told they wouldn’t be returned) we now know what they had been used for: an installation comprised of a massive web of yarn that suspended the numerous keys from the ceiling.

























